Free PDF from unincorporated territory [saina], by Craig Santos Perez

Free PDF from unincorporated territory [saina], by Craig Santos Perez

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from unincorporated territory [saina], by Craig Santos Perez

Free PDF from unincorporated territory [saina], by Craig Santos Perez

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Review

"Continues Craig Santos Perez's epic investigation of Chamorro culture, language, and identity. It is by turns ferocious and elegiac, historical and lyrical."  —Aaron Shurin, author, King of Shadows"Perez gives the reader a subtle and serious version/vision of Guam (Guahan) that is necessary in understanding the country and other countries of colonization."  —Mary Kasimor, Jacket magazine

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Review

“from unincorporated territory [saina], Craig Santos Perez’s second book of poems, is a touching and loving tribute to his grandmother, Milan Martinez Portusach Santos Reyes. As a central figure in his poems, “Grandma Santos” comes across as one of the more powerful metaphors and realities of survival in Guam: the sakman, or the long-range voyaging canoe. Perez and Santos thus embark on an oceanic journey from Guam to California, where they now reside, reflecting on a shared past of colonial violence and on an equally fraught and sometimes uncertain present. In the end, Grandma Santos assures Perez that her sakman, their sakman, will always be a vessel through which generations of Chamorros may navigate their respective futures. Saina and Sakman, Perez and Santos. These are the threads which link the poetic forms presented in Craig Santos Perez’s latest collection, which, to be sure, is a pleasure to read.” (Dr. Keith L. Camacho, Assistant Professor of Asian American Studies, University of California, Los Angeles)“Saina reinscribes the contested territories of home(land) with shards of language and form. Fragments of English and Chamoru, Spanish and Japanese, trace violent routes of empire, colliding, weaving, one into the other. With admirable craft, Craig Santos Perez stitches together patches of jagged memory – Grandma and Grandpa forced to bow to Japanese soldiers; tradition – ‘flying proas’/ sea-going outriggers, fastest in the world; and the continued trauma of US military occupation in Guam -- into a garment of uneasy identities so characteristic of our neo/colonial moment. With its powerful, discordant music, Saina is a warrior response to the ‘call’ of empire. Bravo.” (Prof. Caroline Sinavaiana, author of Alchemies of Distance University of Hawaii, Manoa)“from unincorporated territory [saina] continues Craig Santos Perez’s epic investigation of Chamorro culture, language, and identity. It is by turns ferocious and elegiac, historical and lyrical; it is a book of generations, of sedimentary language, of the ability and power to say “us,” of how a human family might actually be claimed. Filled with tidal spaces, broken by waves, garlanded by islands of brilliant attention and sub-surface groundings, Perez’s poem convenes an oceanic poetics. But if the indigenous canoe that sails through the book is freighted with immigration and emigration, colonialism and national piracies, its real cargo remains cultural authority and the incontestable wonder of origin. Ancestors weep and dance to have generated such creative reclamation as this poem achieves. Perez inherits, inhabits… and a great poem flows…” (Aaron Shurin, author of King of Shadows)“In from unincorporated territory [saina], Craig Santos Perez––whose very name sounds a poem–– sends his reader out on a simultaneously sturdy and yet amorphous canoe, to discover, explore, circle and espy the oldest and most continuous global story: the imperialist, systematic destruction of a culture. Perez takes the water, sky, land, lost legends, ancestral spirits, and survivors of the Pacific Islands into his own tongue, complicated by “torrents of English,” enlivened by Chamoru. This is a great seafarer’s tale of our own lost oceans, lost no more. Reading this book, I was disabused of the notion that ‘poetry does nothing’.” (Gillian Conoley, author of The Plot Genie)

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Product details

Paperback: 136 pages

Publisher: Omnidawn (September 1, 2010)

Language: English

ISBN-10: 1890650463

ISBN-13: 978-1890650469

Product Dimensions:

6 x 0.4 x 9 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#421,350 in Books (See Top 100 in Books)

This book was a requirement for a Globality and Literature class. Normally I find that we are made to read literature for such classes more for its commentary on post-colonialism than for its artistic ingenuity. Happily that is not the case with this book!Perez does use an unconventional form in his poetry, unconventional that is, if the only post-WWI poetry you've read was off Hallmark greeting cards. If intentional whitespace, crossed-out paragraphs, excerpts from travel guides, UN testimonies, and legal documents sounds scary, then this might not be your cup of tea. And that's not mentioning that it's actually written in a mix of four languages, English, Spanish, Japanese, and Chamorro (though English is all you really *need* to know).So many post-colonial writers feel the need to beat the reader over the head with their oppression, making sure the reader knows that white European/Americans are the problem. Perez never takes that tone, and is never really accusatory. He mixes in a lot of data, though he does it in a lyrical way that doesn't feel like reading reams of statistics. He paints a beautiful-but-troubling picture of Guam and life in Oceania. He is proud of his heritage, but is quick to point out where his people could have done a better job of protecting their culture.Speaking from a strictly poetical standpoint, Perez really throws all he has at the experimental forms he uses. There are six basic "types" that Perez creates in the book, each approaching things with a unique form, theme, and perspective. Perez rolls through these forms as needed, putting ten poems in a chapter, in a book of five chapters. Many are one page and quite a few go on for longer than that. This is clearly meant to be read as a book, and not as individual poems. However, if you're struggling to connect some of the dots, try reading the book going through one poem-type at a time. This will let you see more clearly how he is using one to build on the next.Perez is pulling in a lot of techniques from Literary Non-fiction in this book, both through the use of the aforementioned outside sources, and through the structure and ordering of the poems he chooses. It could easily be argued that this is actually a book of lyrical non-fiction pushed to the extreme. It sits on a hazy border between the two genres, occupying a place similar to the Chamorros people's hazy nationality.I'm not usually a fan of global literature, but I thoroughly enjoyed what Perez is doing textually in this book. If you're interested in seeing someone push the boundaries of what creative writing is capable of, this is a good place to start.

Amazing indigenous poetry. A must-read!

When I first picked up from Unincorporated Territory [Saina] I was in NYC reading it on the subway and every few minutes I just wanted to lean over to the person next to me and say--"hey, read this line, it's amazing" or "hey, isn't this beautiful?" I was so excited by the snapshots of visual imagery, by the emotive links, by the snippets of story (His but somehow speaking to my own space in a global economy, in a world of pasts and futures linked to ancestries lost and recaptured). I had to take the book in little by little so as to keep myself contained as something about it excited my mind so completely. Now I have read it a few times and let it take me back to the 2 books which led to this one, and I can definitely recommend this book to people who: 1) are interested in writing that surprises, experiments, unravels and reravels language(s) 2) are interested in issues of origin, ancestry, vanishing and reconnecting ancestral lineage on cultural, linguistic and personal levels 3) are interested in unusual methods of telling a story and who get excited by an author being able to make you the reader see the world you are in anew because of such methods of telling 4) are interested in reflecting while reading, not just passively absorbing, in being invited into the story/poem/literary space 5) are interested in learning more about Guham, about the Chamorro language, about how significant it is for CSP to reconnect us to that language and 6) are simply looking for an amazingly well-composed book, so attentive to the page, the line, the syllable, the space that separates and connects language(s)/us(es). This is a book that makes me reflect also on the way the world geographically, economically and personally makes, writes over, erases, and remakes history--those of others, but also my own place in that process, even if my place has been to not be aware of it until I opened this book and began to see. What is not to admire?

Great book

Gorgeous and powerful.

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Download Ebook , by Jan Adkins

Download Ebook , by Jan Adkins

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Product details

File Size: 2479 KB

Print Length: 303 pages

Publisher: Puffin Books; Reprint edition (October 30, 2008)

Publication Date: October 30, 2008

Language: English

ASIN: B00AFWYCNO

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Amazon Best Sellers Rank:

#1,548,519 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

As an architect and lifelong Wright aficionado (with a book about him of my own in progress) I always enjoy another authors reflection on the enigma that is Mr. Wright. His life span encompassed almost the whole of modern times since the industrial revolution. Few visionaries live long enough to see their inspirations adopted. Wright steered us into open plans, windows that actually brought the outside-in, he acknowledged and embraced contemporary transportation, communications, lifestyles and thought. You probably live in a dwelling influenced by his thinking and his buildings; ranch houses anyone, carports, compact kitchens, built-in furniture, inside-outside living, solar heated homes, the list goes on.This book is an abbreviated look at Wright, a good read if you don't have the time or inclination to to read Meryle Secrest's Frank Lloyd Wright or Brendan Gill's Many Masks, both more a in-depth look at Mr. Wright. Highly recommended, good reading.

History of the architect's life with some explanation of how the national economy & history affected his endeavors. Didn't realize he was such an unkind personality.

Instructive!

Book came in perfect condition. Great series. Thank you!

This is a perfect way to get to know Frank Lloyd Wright. It gives insight into his personality and simple descriptions of his buildings. It would have been nice to have more illustrations.

I was looking for facts and this book has them.

I didn't even finish the book. It was probably my expectations of how I viewed Frank Lloyd Wright before I even started reading the book. To find out what a horrible human being he was was not what I wanted to know. I wanted information on how he developed his unique style of home design. He was a cad and a misanthrope. What a disaster of a human being with all his debt and dishonesty. Ultimately, he gave us the beautiful buildings but he was a lousy individual.

Frank Lloyd Wright: Up CloseBY:JAN ADKINSEvery Success Story Begins With A Solid Foundation Regardless his profession as an architect, Frank Lloyd Wright did not have a solid foundation early on. Frank is born in Richland Center, WI on June 8th, 1867. 18 years later, the road begins to get rocky when Frank’s parents’ divorce. After the departure, Frank’s mother beats him regularly and so, Frank is forced to go to Chicago. Without any architectural background but the Froebel wooden blocks he possessed as a child, Wright designs his home and marries a Catherine Lee Tobi. A few years later, he sets up a firm and begins designing what will be his breakthrough… Unity Temple in Oak Park, Illinois. Then, in 1909 he makes his family and clients’ life go through a rocky-road when he surprisingly ditches them to go to Europe with a client’s wife (Mamah Cheney). With her, he moved into luxurious villa in Fiesole, Italy. He obviously couldn’t afford it but…why would he care…He Was The “Undefeatable Frank”…or so he thought. Upon returning… he set out to build the magnificent and perfect Taliesin (modelled after the Italian Villa). However only three years later, Taliesin servants light the dining hall on fire and slaughter everyone including Mamah… “The Undefeatable Frank” had been on a business trip. After rebuilding Taliesin, Frank had another affair with a woman the name of Noel and they lived in Japan together while Wright worked on construction of The Imperial Hotel. And, surprise-surprise, he separates with Noel and Wright marries Olgivanna Lazovich (Russian Opera singer). Yet again, Taliesin burns due to wiring and is rebuilt. Around this time, Wright also makes the designs for Fallingwater (a house that is…hence the name…built over a waterfall. 1937, Wright builds an exact replica of Taliesin…in Arizona and the following year, creates the FLWF (Frank Lloyd Wright foundation). And he designs plans for the Solomon Guggenheim Museum…a project that he will not complete for, Frank dies age 92 in Arizona…and, to this day, Frank Lloyd Wright is considered the best architect of our time… Frank Lloyd Wright did have flaws…as a matter of fact he had many. First of all, he was extremely ignorant of clients. He didn’t care how many bedrooms the clients wanted or even were the building was to be erected. Therefore, he was stubborn…it was always HIS way and HE was always right. These negative traits did cost him and he lost many clients from this. On the other hand he used a technique to lure his clients in regardless their ignored demands. Flattery. He always sympathized with clients and even tax collectors for, he was often in debt was on the edge of eviction and used flattery on them too in order to ignore taxes. Finally, Wright was independent. He had many apprentices but, never did he consult with them because he was Frank Lloyd Wright…HE would have it HIS way. This was a terrible mistake of his for he never learned from his mistakes and no one was there to correct him. Overall, Frank Lloyd Wright: Up Close by Jan Adkins is a compelling story about a stubborn and world renowned architect by the name of Frank Lloyd Wright and, I really enjoyed learning in depth about his keystone part in architecture. Before reading this biography I had no idea who Frank Lloyd Wright was but, this intricate novel taught me a lot about Frank’s architectural opinions and even politic opinions. This novel by Jan Adkins doesn’t only talk about Frank’s life but also surrounding influences and others’ opinions of Frank Lloyd Wright. Therefore, I recommend this novel to anyone who is interested in the artistic domain of architecture. Also anybody interested in American struggles and life in the early 1900’s and political and artistic changes in transition to the 20th century would love this biography...By: Alex Benoit

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